After pitch shifting, I return the project to 48k. But, I record vocals at high sample rates like 96 and 192 when I intend to do pitch correction and pitch shifting, because I find Melodyne and other similar pitch shifters produce much more believable results when they have access to those ultrasonic frequencies. I'm a huge proponent for consumer and audiophile gear not requiring over 48k sample rates, and even for most people not needing 24-bit depth! 16-bit is all most people need, even the most discerning listeners. I hear a clear difference between 44.1 and 48, but nothing above that. I agree, 48 is all I need for most situations. Just trust me when I say I am definitely the audio engineer who occasionally does need these higher sample rates.
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